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Length: 6:18
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Their fortunes for to try,
And these three men made a solemn vow:
John Barleycorn must die.
They've ploughed, they've sown, they've harrowed him in,
Threw clods upon his head,
And these three men made a solemn vow:
John Barleycorn was dead.
They've let him lie for a very long time,
Till the rains from heaven did fall,
And little Sir John sprung up his head,
And so amazed them all.
They've let him stand till midsummer's day,
Till he looked both pale and wan,
And little Sir John's grown a long, long beard,
And so become a man.
They've hired men with the scythes so sharp,
To cut him off at the knee,
They've rolled him and tied him by the way,
Serving him most barbarously.
They've hired men with the sharp pitchforks,
Who pricked him to the heart,
And the loader he has served him worse than that,
For he's bound him to the cart
They've wheeled him around and around the field,
Till they came unto a barn,
And there they made a solemn oath,
On poor John Barleycorn.
They've hired men with the crab-tree sticks,
To cut him skin from bone,
And the miller he has served him worse than that,
For he's ground him between two stones.
And little Sir John and the nut-brown bowl,
And he's brandy in the glass;
And little Sir John and the nut-brown bowl,
Proved the strongest man at last.
The huntsman, he can't hunt the fox,
Nor so loudly to blow his horn,
And the tinker he can't mend kettle nor pot,
Without a little Barleycorn
Utopia vs Apocalypse is the main event.
Plague vs Hubris is just the opening act.
perfect comment on the "drivel", thanks!
Utopia vs Apocalypse is the main event.
Plague vs Hubris is just the opening act.
As does The Imagined Village, with Paul Weller on vocals. Nicely punchy re-work

Ooh, i'll have to look for that. Paul Weller's voice

As does The Imagined Village, with Paul Weller on vocals. Nicely punchy re-work


Because there is a flute? Please.
I too thought it was not the original off that album because I remembered it being more forceful.. so I checked two different 'videos' on YouTube and they are both the same as this one.
Until I ever get to hear my friend's original vinyl album then I will never be 100% sure.
So until then... we will just have to accept that our memories are false.
Monday morning.... grey.... working from home, just turned the puter on, clicked on RP and this was playing.... the day will go well!
And tickets for Van the Man tonight to round things off
Wow... four years older (less a day) since I posted the above, but the song is still as good as ever.....
Still raining, though.

I concur!

I concur also

I concur!

Fuerza natural!
Thought it sounded like the Strawbs.
Oh, do behave.
I guess after this song we will hear some Led, or Dead, or Dylan, or Hendrix, or The Band, or Yes, or Floyd, or Allmans, or Stones or Steely Dan, or Fleetwood Mac, or CSNY?
It's only RnR, but I like it.
This is a very, VERY old song with many variations and references to vegetation deity traditions, some of which became incorporated into the story of Jesus.
https://en.wikipedia.org/wiki/John_Barleycorn:
John Barleycorn is a British folksong. The character of John Barleycorn in the song is a personification of the important cereal crop barley and of the alcoholic beverages made from it, beer and whisky. In the song, John Barleycorn is represented as suffering attacks, death and indignities that correspond to the various stages of barley cultivation, such as reaping and malting.
Kathleen Herbert draws a link between the mythical figure Beowa (a figure stemming from Anglo-Saxon paganism that appears in early Anglo-Saxon royal genealogies whose name means "barley") and the figure of John Barleycorn. Herbert says that Beowa and Barleycorn are one and the same, noting that the folksong details the suffering, death, and resurrection of Barleycorn, yet also celebrates the "reviving effects of drinking his blood."
A Scottish poem with a similar theme, "Quhy Sowld Nocht Allane Honorit Be", is included in the Bannatyne Manuscript of 1568 and English broadside versions from the 17th century are common. Robert Burns published his own version in 1782, and modern versions abound.
I was thinking the exact same thing.

Sonic Bliss! Aural euphoria! Multi-sensory delight!
hmmm... looks like it's time to empty the ashtray and refill the pint glass.
I remember buying Traffic albums back when it was unheard of to have only 3 or 4 songs on a side. It was heretical. It was polarizing. It was also mind opening and wonderful.
Days were when major groups took major chances. Now . . .
don't ask.

Dave_Mack wrote:
And Jim Capaldi.
Stevie Winwood.
And Jim Capaldi.
Stevie Winwood.
Steve Winwood.

das haben jetzt wieder alle verstanden!

When my son was little, probably 4 or 5, he really loved this song. I'll have to play it to him and see if he remembers it.
Monday morning.... grey.... working from home, just turned the puter on, clicked on RP and this was playing.... the day will go well!
And tickets for Van the Man tonight to round things off
saddle me harse i'm on down to the lion rose for a pint


OK, we get it, you're a dick.

wait for it
wait for it
okay

OK, we get it, you're a dick.
wait for it
wait for it
okay


Here's the John Barleycorn lyrics:
There were three men come from the West
Their fortunes for to try,
And these three made a solemn vow:
"John Barleycorn must die."
They plowed, they sowed, they harrowed him in,
Threw clods upon his head,
'Til these three men were satisfied
John Barleycorn was dead.
They let him lie for a very long time,
'Til the rains from heaven did fall,
When little Sir John raised up his head
And so amazed them all.
They let him stand 'til Mid-Summer's Day
When he looked both pale and wan;
Then little Sir John grew a long, long beard
And so became a man.
They hired men with their scythes so sharp
To cut him off at the knee;
They rolled him and tied him around the waist,
And served him barbarously.
They hired men with their sharp pitchforks
To pierce him to the heart,
But the loader did serve him worse than that,
For he bound him to the cart.
They wheeled him 'round and around the field
'Til they came unto a barn,
And there they took a solemn oath
On poor John Barleycorn.
They hired men with their crab-tree sticks
To split him skin from bone,
But the miller did serve him worse than that,
For he ground him between two stones.
There's little Sir John in the nut-brown bowl,
And there's brandy in the glass,
And little Sir John in the nut-brown bowl
Proved the strongest man at last.
The huntsman cannot hunt the fox
Nor loudly blow his horn
And the tinker cannot mend his pots
Without John Barleycorn.
Now the green blade rises
from the buried grain,
wheat that in the dark earth
many days has lain;
love lives again,
that with the dead has been:
Love is come again like wheat that springs up green.
In the grave they laid him,
Love whom hate had slain,
thinking that never
he would wake again,
laid in the earth
like grain that sleeps unseen:
Love is come again like wheat that springs up green.
Forth he came in quiet,
like the risen grain,
he that for three days
in the grave had lain,
quick from the dead
the risen Christ is seen:
Love is come again like wheat that springs up green.
When our hearts are wintry,
grieving, or in pain,
Christ's touch can call us
back to life again,
fields of our hearts
that dead and bare have been:
Love is come again like wheat that springs up green.
Ain't gonna happen.
It's a "nut-brown bowl" from which they drink the ale. Personally, I prefer a pint glass.
...but of course there are other interpretations as well...
One of the funniest sequences of comments for any song on RP. You guys have ruined a perfectly nice song for me - can't take it seriously now. What the hell is a "nut-brown boy" anyway?
Forsooth! Thine satirical utterings hath forced mead through my nose!
Maybe because this song is about 400 years old.


Me likes.
Maybe because this song is about 400 years old.
Me likes.

B: Who's there?
A: Buzz-kill.
B: Buzz-kill who?
A: (cues up this song, wins contest)

Not to nit-pick, but a "really bad ren-fair"? Are you saying there are other types?


Nearly 30 minutes of sub-4 songs. Things have to pick up soon. In the meantime, thank Apple for iTunes...
You qualify for the post-of-the-month price!
In the "most-silly" section!
Nearly 30 minutes of sub-4 songs. Things have to pick up soon. In the meantime, thank Apple for iTunes...

i'd forgotten all about them ...
We were scared of getting drunk. Now... not so much. For me, anyway.






I think you're right about the "profits first" attitude of most of the music/film/art conglomerates these days, and right about the fact that the profit motive will squelch explosive periods of creativity. I think you're wrong to assume that many of us RP listeners believe New Culture is inferior to Old Culture. Grunge, rap, and house music are New Culture, notwithstanding your opinions of their value, and are here to stay because they generate profits. That doesn't mean I give up my love of Traffic, the Stones, or Mountain; and it doesn't mean I can't Rage Against the Machine or enjoy Cake and Thievery Corporation.
Sorry, didn't mean to get all pompous and stuffy. Perhaps dancing bananas will balance things:



I don't think your comments are pompous or stuffy. I like Traffic - particularly this song. I have just observed that some listeners seem to believe that the history of popular music began and ended in the 1960's. I didn't mean to imply that a majority of RP listeners believe that. Thanks for the bananas by the way.
I think you're right about the "profits first" attitude of most of the music/film/art conglomerates these days, and right about the fact that the profit motive will squelch explosive periods of creativity. I think you're wrong to assume that many of us RP listeners believe New Culture is inferior to Old Culture. Grunge, rap, and house music are New Culture, notwithstanding your opinions of their value, and are here to stay because they generate profits. That doesn't mean I give up my love of Traffic, the Stones, or Mountain; and it doesn't mean I can't Rage Against the Machine or enjoy Cake and Thievery Corporation.
Shall we wait to see how the internet affects conventional methods of music dissemination and marketing? A struggle of survival between the RIAA establishment and the internet underground like RP and direct downloads?
Sorry, didn't mean to get all pompous and stuffy. Perhaps dancing bananas will balance things:




Well, probably not in the same ways as then. Recording artists aren't really allowed to have explosive periods of creativity like they were back then. The music industry (and the film industry) are first-and-foremost, subjugated to the production of profits. Creativity is not really as important a part of production as it was forty years ago. Your statement is somewhat of a subjective, self-fulfilling prophecy; if one believes (perhaps out of nostalgia) that any new Culture is innately inferior to that of the past, then one can never make a fair comparison. Personally, I love much of the music from that period as well, but it's difficult to even hypothetically compare different periods.

This song, at least in the beginning, reminds me of Donovan.
Winwood was so versatile. Was a fan of Steve Winwood back then, even more so now.