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Man/Woman/Chainsaw — Nosedive
Album: Cannonball
Avg rating:
6.1

Your rating:
Total ratings: 59









Released: 2026
Length: 0:00
Plays (last 30 days): 5
Bird hit the glass
I can’t see in front of me
Let me go on, let me go
Hitting nosedive, cannonball


Baby get me back up over you
Flying over your roof
Instead of lying here restless
Wishing you’d give me a cardboard house
For a couple hours
(Just for a couple hours)
(For a couple hours)


Binding my wing
Yeah I’d ride it
Told you swing big
Hit or hide it
Up on top of
What you thought of
Hold it for now
I’ll go without


Bird hit the glass
I can't see in front of me
Let me go on, let me go
Hit a nosedive, cannonball
Let me go on, let me go
Hit a nosedive, cannonball
Let me go on, let me go
Hit a nosedive, cannonball
Let me go on, let me go
Hit a nosedive, cannonball

Baby get me back up over you (x22)

Baby get me back up over you
(You won't be my boyfriend I'm gonna tell all my friends)
Baby get me back up over you
(Won't be my boyfriend I'm gonna tell all my friends)
Baby get me back up over you
Baby get me back up over you
Baby get me back up over you
(You won't be my boyfriend I'm gonna tell all my friends)
Baby get me back up over you
(Won't be my boyfriend I'm gonna tell all my friends)
Comments (4)add comment
 forthbrdge wrote:

To be honest, at first I thought it was a rip on our Dear Leader's cognitive tests...


This is the best political comment on Radio Paradise I've ever read.
 DrLex wrote:

OK, now I want to know the story behind that band name.



According to the interwebs is derived from a feminist film critic's book on horror genre films that center around men, women and chainsaws. I haven't read it, but knowing the type of film, I am curious.

To be honest, at first I thought it was a rip on our Dear Leader's cognitive tests...
source: https://fatpossum.com/collecti...

Man/Woman/Chainsaw are Billy Ward (vocals, guitars), Emmie-Mae Avery (vocals,keys/synths), Vera Leppänen (vocals, bass), Clio Starwood (violin) and Lola Cherry (drums).

A precociously talented band from London, who recently celebrated their 100th gig. Since their debut at 16 years old and across three self-released singles,the band have proven themselves as one of the most exciting and unpredictable young acts in the capital, both joyous and raucous in equal measures. Last year’s “What Lucy Found There” was to be their breakthrough, securing attention for the band from the likes of The Quietus, NME, The Line Of Best Fit, So Young, BBC 6 Music and more.

This November the band truly come of age with their debut EP, “Eazy Peazy”, to land on the indie taste-maker label Fat Possum Records. Recorded with Gilla Band’s Daniel Fox at Echo Zoo studio in Eastbourne, the group present us with cinematic arrangements, mauled by moments of cacophony; the band’s Billy Ward says of their writing process,“we thrive on the thin line between pretty and noisy, often trying to jump between the two-it’s that chaos that excites us.”...
OK, now I want to know the story behind that band name.