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Total ratings: 1894
Length: 2:40
Plays (last 30 days): 1
I've got you deep in the heart of me.
So deep in my heart that you're really a part of me.
I've got you under my skin.
I'd tried so not to give in.
I said to myself: this affair never will go so well.
But why should I try to resist when, baby, I know so well
I've got you under my skin?
I'd sacrifice anything come what might
For the sake of havin' you near
In spite of a warnin' voice that comes in the night
And repeats, repeats in my ear:
Don't you know, little fool, you never can win?
Use your mentality, wake up to reality.
But each time that I do just the thought of you
Makes me stop before I begin
'Cause I've got you under my skin.
(Musical interlude)
I would sacrifice anything come what might
For the sake of havin' you near
In spite of the warning voice that comes in the night
And repeats - how it yells in my ear:
Don't you know, little fool, you never can win?
Why not use your mentality - step up, wake up to reality?
But each time I do just the thought of you
Makes me stop just before I begin
'Cause I've got you under my skin.
Yes, I've got you under my skin.
If its possible to make this claim, she has the greatest voice ever in recorded music. She has the perfect voice. No flaws. And remember, the recording technology in her time, was not that sophisticated as to mix/clean up her raw vocals.
What you are hearing, is the real thing, Not some digitized phenon.
Very Well stated! I Agree!!
Billie Eilish - Child
Norah Roberts - Adult
Ella Fitzgerald - Goddess.
For others this may be in reverse or all something else, but for me it was a progression.
I kid.
Her voice is pure perfection.
c.
To me, it just sounds so natural, pretense-less, balanced. No trying to sound like anything else but herself. I like that immensely.
I agree and would delete my earlier foolish comment from you message if I could...
greatest recorded voice
theres ella....and then everyone else
Again, the Duke would agree. once asked who he thought was the best female vocalist ever. He replied "you mean, besides Ella?"
To me, it just sounds so natural, pretense-less, balanced. No trying to sound like anything else but herself. I like that immensely.
Duke Ellington would agree with you.
Ella's voice is always perfect and her vocal range is amazing but her phrasing on these Porter, Gershwin standards is lacking the necessary nuance. It is is if she doesn't get the lyrics or can not relate to them.
I think I get what you're saying. Her voice is outstanding. But I want that pause after Stop. It's missing in this version.
I'd love to hear her singing Plenty o' Nuttin with Louis Armstrong
https://youtu.be/-DR6cXAa-Ek
When she sings, there are no clunkers, No dissonace, No tension. No strain. No off notes.
It's pure silk.
And its all her voice. It's not being manipulated by recording engineers
all true but on some songs she seems to not "get" the lyrics
It's pure silk.
And its all her voice. It's not being manipulated by recording engineers
theres ella....and then everyone else
Glad you found your personal favourite. Why not name it as such?
What you are hearing, is the real thing, Not some digitized phenon.
It is not Memorex!!! Flawless!!
technically perfect, but served like cold roast beef.
My problem with Ella is certainly not technical. Ella's voice is perfect but she comes across here as though she is speaking a foreign language. Something is lost in translation. It's as though she doesn't get the lyrics. That is why I would much rather hear the far less technically proficient Fred Astaire sing/speak these Porter, Kern or Gershwin lyrics.
technically perfect, but served like cold roast beef.
To me, it just sounds so natural, pretense-less, balanced. No trying to sound like anything else but herself. I like that immensely.
What you are hearing, is the real thing, Not some digitized phenon.
Velvet
Sure is! And I've loved this song from pretty much anyone who ever recorded it!
Velvet
This is better than Sinatra's version. Beautiful. And, by the way, it just got under my skin in the good way the song meant that.
One of the greatest songs ever written.
Love the versions by all of the Jersey boys, Frank from Hoboken and Frankie and the 4 Seasons
Doesn't it come from "affaire de coeur"? Which doesn't really answer your question, I guess.
Miss you so much, Cynaera...
love this song...
Sinatra sings Porter better than anyone, but Ella owns Gershwin.
A voice that caresses every word, and offers each one like an opening flower.
While I've heard Sinatra's version much more often, I prefer this one; I enjoy how her vocal range works around in this.
A younger member was first introduced to it by Frankie Valli and his falsetto. Would love to hear that version on RP.
I'd love to hear other versions of this one, too. Idea of the song reminds me of one of Lucinda Williams' most indelible lyrics:
Not a day goes by I don't think about you
You left your mark on me it's permanent a tattoo
Pierce the skin and the blood runs through
Oh my baby
From "Right in Time"
I could listen to her through a string pulled between two cups, through a wall with a glass, around the corner and next to the elevated train tracks, and it would still sound superb.
10.
A younger member was first introduced to it by Frankie Valli and his falsetto. Would love to hear that version on RP.
I will not make that mistake. Miss Ella is the best vocalists in recorded human history!
Ella Fitzgerald - I've Got You Under My Skin
Susan Enan - Skin, Bone, and Silicone
And to think I was hitting the song page just to verbally drool over Ella's voice. Ahem. Drool.
Totally agree. I had to give this a 9 for that reason.
Bill, you knock me out when you wander from the 'alternative rock' sterotype. Thanks a bunch!
Not over 60, pushing 50 but I learned to really appreciate the big band sounds from a college room mate who had a HUGH selection of 45's of that era's music.
Wake up to reality"
Pretty heavy stuff.
Perfect.
Neither would I.
Bill, you knock me out when you wander from the 'alternative rock' sterotype. Thanks a bunch!
The only bad thing is that the songs were too short in those days! Today, they seem to go on and on and on . . .
Yes, and there was a reason they were too short. Up until FM radio came onto the scene,
AM radio wouldn't play anything longer than would fit into their 3 to 3l/2 minute slots, max.
You will notice that most of early R&R, (pre Beatles) also had very short versions of
songs. Sometimes they would make a version for radio, and sometimes put the longer versions
on radio. One that comes to mind is the Doors "Light My Fire."
I'm 33 and I've enjoyed the sounds of big band jazz and swing since my early 20s. I don't think most of my peers really go for that sort of thing, but that's their loss.
The only bad thing is that the songs were too short in those days! Today, they seem to go on and on and on . . .
Yeah, she's one of my idols too.Wow. This is classic Ella. I have several of her songbooks. She interprets
songs like nothing I've ever heard. I'm a big fan of hers. Thank you, thank
you Bill for this wonderful random song.
Purely personal taste in voices here - but the play list for the last three tracks goes as follows
Billie Eilish - Child
Norah Roberts - Adult
Ella Fitzgerald - Goddess.
For others this may be in reverse or all something else, but for me it was a progression.
She is a goddess