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You were a great crew
Who tried to nurture and preserve your faith in you
And with the bureau chiefs and the shrugging spies
You could stay but why?
You see a light and then another
And everything you fought for naught is uncovered
You're not a fighter, you're a lover
You got no business in here, brother
So stay, stay
Is it the worst that you could do?
You were a great you
Who tried to nurture and preserve your faith in you
And with the bureau chiefs and the shrugging spies
You could stay and why?
'Cause you see a light and then another
Everything you thought you sought is uncovered
You're a fighter and a lover
And there's no one up above her
So stay, stay
All things being balanced
It's balanced and called balancing
Somewhere beyond everything
And it's being balanced
Not for the sake of balance
But balancing between the throes of learning
And the entire thing
Entirely
Balancing
Amen!
Your friends to the south agree!
But no matter what it is Hip!
Egrey wrote:
Yah, I always loved that line!
The Hip remind me of Travis, a UK band huge over there that can't get anywhere in the US. Tried to like Travis and can't, I assume Travis taps into the sociocultural vibe in England and makes some statement that fits with the times over there that doesn't translate here, since their music and lyrics are, to my ear, slightly above average. The Hip are more interesting but musically not that much better. There are just some bands that fit into a time and place in a country that evokes something powerful for those who were there, and I assume that's the case for Travis and the Hip. I can't think of an equivalent popular American band that fell flat in Europe but I'm sure there are some examples.
I still like hearing the Hip and Travis on radio & RP just to get a feel for the popular bands in those countries, and they are good enough for a pleasant listen.
As a Canadian - I grew up listening to CONCAN legislated radio (where 30% had to be Canadian content) and hence growing up in the 70's I was inundated with "Wreck of the Edmunds Fitzgerald" and "Snowbird" and the forever scorched into my brain "Clap for the Wolf man" - believe me, they only played maybe four or five artists again and again and again ...
The Hip were different as they talked about Canadian issues, concerns, history - and yet made our feet tap along with the story, something that really hasn't been done before in Canadian rock music.
They aren't as popular as they once were (check Road Apples Album) but they still have a place in our hearts ...
"You said you didn't give a fu*k about Hockey - Never heard anyone say that before"
It's good that there is a distinct difference in thought and feeling in the UK with Travis or the Canadians with the Hip - I want there to be something more to differentiate me from my American brethren than how I say
Pro-cess not Praw-cess
Pro-ject not Praw-ject
Pas-ta not Paws-ta
I stand corrected.
Glad to hear that. Maybe you can try and upload those songs to the LRC?
Fully Completely is without a doubt their high water mark.
After that I would say; Road Apples and Day for Night.
Also worth a look; Up to Here and Trouble at the Henhouse.
Those are the top 5 for sure, IMO. Buy all 5 and you become an honorary Canadian!
umm... honourary Canadian. :-)
I'd like to check those out.
Fully Completely is without a doubt their high water mark.
After that I would say; Road Apples and Day for Night.
Also worth a look; Up to Here and Trouble at the Henhouse.
Those are the top 5 for sure, IMO. Buy all 5 and you become an honorary Canadian!
Definitely Day for night and fully completely...
andrewimft wrote:
Which CD's of theirs do you or others recommend as their best ones?
I'd like to check those out.
Which CD's of theirs do you or others recommend as their best ones?
I'd like to check those out.
It would be hard for me to pick a favourite, but I would say 'Road Apples' and 'Music @ Work' are really strong albums. I'd start there :D
Still, an 8.
Thanks for making me laugh. Still, a six, even with the Willie reference (I totally dig Willie Nelson).