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Total ratings: 559
Length: 6:52
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It could be a joke, it could be a statement
The more that I fake it and pretend I don't care
The more you can read in to what isn't there
Maybe it's time to stop swimming
Maybe it's time to find out where I'm at
What I should do, where I should be
But no-one will give me a map
I'll leave now this can't continue
But I forget which door I came through
And I know that the lift can be painfully slow
So I think I'll leave by the window
Calibre?
I just register to say this: I hate Procupine tree, such downers, so depressing, god, I hate them
Calibre?
funny, I was going to comment that it sounds kind of good.
sounds much better via the 192k ogg stream and better still from a cd. I wonder if it ever came out on vinal.
<edit> https://goo.gl/auw07 </edit>
Always playing the entire kit and too many hits. A splash there, some high toms there, ghost notes etc. Always playing something to break the silence between the notes
But the silence between the notes are gold!
Keep it simple stupid
funny, I was going to comment that it sounds kind of good.
Seriously? Funny all the same. The clientele is a little different with lots of 50, 60 and older groupies in the mix.
The frame of mind when listening is so key to letting the song reach in and connect emotionally. I usually like more active tunes toward the slightly hyperactive. Think Brand X as an example. Tonight my mood is more calm, present in this moment, being with what is here, and thus I was more open to the emotional connection this offers. This connects like never before and I raise my rating 3 points. I hope to hear this song this same way again. The "set" of the listener is as important as the music.
Well said. The "space" in this song is very important. As you stated, you have to let yourself hear it and connect to it.
Chris Maitland was a good drummer and backup vocalist.
What he said. This song goes into the category of songs with interesting, promising intros that go bland at the first verse. The instrumental bridge thing could have picked it up, but… maybe the outro will do something…?
The frame of mind when listening is so key to letting the song reach in and connect emotionally. I usually like more active tunes toward the slightly hyperactive. Think Brand X as an example. Tonight my mood is more calm, present in this moment, being with what is here, and thus I was more open to the emotional connection this offers. This connects like never before and I raise my rating 3 points. I hope to hear this song this same way again. The "set" of the listener is as important as the music.
over YET??? arrgggh!!!!
Stupid is as stupid trolls...
over YET??? arrgggh!!!!
ly killing me with mopiness
I was at the Cleveland HOB show too What a great night!
Have fun Wolfy!!! I saw them twice this last year and it was an incredible experience. The Incident song cycle is really cool in concert. Pay attention to the graphics as well.
And of course, there is Mr. Harrison to wow us with his talents.
Enjoy.
I was at the Cleveland HOB show too What a great night!
I believe they reissued it recently, with a 5.1 surround mix also.
I was at the Cleveland HOB show too What a great night!
Deadwing started out as my favorite. Now it's hard to pick between this, In Absentia and Signify. Oh hell, they're all good. And just when I think I've reached my PT quota, a different song comes on that I don't have yet; so naturally I have to buy that album as well. Do you think I need some sort of 12 step program or something?
Much like a PT song... particularly this one.
I just don't get this band.
Agree, even though this isn't one of their better tunes.
First time hearing this, and must agree with this comment from three years ago. Although when it first started with just the drums/cymbals, I thought it was "Live Forever" by Oasis.
And it's the last track on the album. So Steve has the ability to bring the listener back down to a somber level, reflective, introspective.
For example - Sentimental.