And now for an old time New England classic.

There once was a guy from nantucket ...
 

What!? Too early for a Sunday morning?

      

Fresh from the over-
night rain, bright sun and colors
greet us as we walk.

Much Madness is divinest Sense —
To a discerning Eye —
Much Sense — the starkest Madness —
'Tis the Majority
In this, as All, prevail —
Assent — and you are sane —
Demur — you're straightway dangerous —
And handled with a Chain —

 ScottN wrote: 
Really it is h/t Mary Oliver. But thank you. 

h/t Antigone

 

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting-
over and over announcing your place
in the family of things.

~ Mary Oliver

 Antigone wrote:
 
Have other ideas
The universe has knew plans
turn around again

I don't feel like look-
-ing up. The sunrise and birds
Have other ideas.

THE PEARL

Said one oyster to a neighbouring oyster, “I have a very great pain within me. It is heavy and round and I am in distress.”

And the other oyster replied with haughty complacence, “Praise be to the heavens and to the sea, I have no pain within me. I am well and whole both within and without.”

At that moment a crab was passing by and heard the two oysters, and he said to the one who was well and whole both within and without, “Yes, you are well and whole; but the pain that your neighbour bears is a pearl of exceeding beauty.”

Kahlil Gibran

Weekends are fleeting,
Like life. You turn around and
It’s Monday. Or death.

ONE ART
by Elizabeth Bishop

The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.

—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.

 haresfur wrote:
 

She was AMAZING.

'Not Broken But Simply Unfinished'

 Lazy8 wrote: 

The Shortest Day by Susan Cooper

And so the Shortest Day came and the year died
And everywhere down the centuries of the snow-white world
Came people singing, dancing,
To drive the dark away.
They lighted candles in the winter trees;
They hung their homes with evergreen;
They burned beseeching fires all night long
To keep the year alive.
And when the new year’s sunshine blazed awake
They shouted, reveling.
Through all the frosty ages you can hear them
Echoing behind us—listen!
All the long echoes, sing the same delight,
This Shortest Day,
As promise wakens in the sleeping land:
They carol, feast, give thanks,
And dearly love their friends,
And hope for peace.
And now so do we, here, now,
This year and every year.
Welcome, Yule!

 ScottN wrote: 
Lovely.

In your next letter,
by Carrie Shipers

                                           please describe
the weather in great detail. If possible,
enclose a fist of snow or mud,

everything you know about the soil,
how tomato leaves rub green against
your skin and make you itch, how slow

the corn is growing on the hill.
Thank you for the photographs
of where the chicken coop once stood,

clouds that did not become tornadoes.
When I try to explain where I’m from,
people imagine corn bread, cast-iron,

cows drifting across grass. I interrupt
with barbed wire, wind, harvest air
that reeks of wheat and diesel.

I hope your sleep comes easy now
that you’ve surrendered the upstairs,
hope the sun still lets you drink

one bitter cup before its rise. I don’t miss
flannel shirts, radios with only
AM stations, but there’s a certain kind

of star I can’t see from where I am—
bright, clear, unconcerned. I need
your recipes for gravy, pie crust,

canned green beans. I’m sending you
the buttons I can’t sew back on.
Please put them in the jar beside your bed.

In your next letter, please send seeds
and feathers, a piece of bone or china
you plowed up last spring. Please
promise I’m missing the right things.

My love is like a red red rose
Or concerts for the blind,
She's like a mutton-chop before
And a rifle-range behind.

Her hair is like a looking-glass,
Her brow is like a bog,
Her eyes are like a flock of sheep
Seen through a London fog.

Her nose is like an Irish jig,
Her mouth is like a 'bus,
Her chin is like a bowl of soup
Shared between all of us.

Her form divine is like a map
Of the United States,
Her foot is like a motor-car
Without its number-plates.

No steeple-jack shall part us now
Nor fireman in a frock;
True love could sink a Channel boat
Or knit a baby's sock.

A Winter Twilight

 Angelina Weld Grimké

A silence slipping around like death, Yet chased by a whisper, a sigh, a breath; One group of trees, lean, naked and cold, Inking their cress 'gainst a sky green-gold; One path that knows where the corn flowers were; Lonely, apart, unyielding, one fir; And over it softly leaning down, One star that I loved ere the fields went brown.