Beaker wrote:
Dude, they still drive jeeps. That is so 1980s.

 hippiechick wrote: 
WE'RE NOT DETROIT

Carter Emmart demos a 3D atlas of the universe.

U.S. Navy 1915
from The National Film Preservation Foundation 

Film Notes

U.S. Navy of 1915 (1915)
Production Company: Lyman H. Howe Company. Transfer Note: Digital file made from a 35mm negative. Running Time: 11 minutes (silent, no music).

Time Lapse Round One from Sean Stiegemeier on Vimeo.

If this puppy doesn't go 'viral', I'll eat my NES! (300,000 views so far and counting...)
CLASSIC ARCADE GAMES INVADE NEW YORK

 Welly wrote: 
Tres "cute"!

 Welly wrote: 
Kinda creepy!

 n4ku wrote: 
Neat!

The White Mountain from charles on Vimeo.

 Welly wrote: 
Yeah... I enjoyed this post, M.

 Welly wrote:  A "Twilight Zone" short.

French Roast from German on Vimeo.

Alma from Rodrigo Blaas on Vimeo.

Thanks to HUMORLESSBITCH for this

Birds on the Wires from Jarbas Agnelli on Vimeo.

Thanks, Zo!

Cleveland Sucks Rocks!!!!! Watch both vids to get a true picture of Cleveland, Ohio

bishopvids quickly put together this awesome Cleveland Tourism Video, if this doesn’t make you want to visit Cleveland, nothing will. “Fun times in Cleveland today, Cleveland!”

The Cleveland Tourism Board gave me 14 million dollars about 8 months ago to make a promotional video to bring people to Cleveland. As usual, I waited till the last minute and I ended up having to shoot and edit it in about an hour yesterday afternoon. I probably should have invested more time.

UPDATE: The first video didn’t work as planned, so they made a second version.

No embed code but here's a nice video on falconry.

 

 hippiechick wrote: 
The only way future Britneys won't embarrass themselves is not to perform in public - try listening to Taylor Swift or Avril Lavigne live - Antares is the only reason some of these folks are making money - and, I agree, there are definitely applications for pitch massagers - I just don't think that ubiquitous enhancement is a good thing for music, as an industry or in terms of individual musicians.

Thee are many great musicians out there who won't get a shot because they don't conform to a 12-tone scale, and won't pitch massage themselves into that box - what would Bob Dylan's career have been like under those terms, or Neil Young's, or John Hiat's?