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Length: 5:13
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Gunmen and maniacs
All are featured on the freak show
And I can't do nothing 'bout that, no
But if you hurt what's mine
I'll sure as hell retaliate
Telling us what is infectious and dangerous
You can free the world, you can free my mind
Just as long as my baby's safe from harm tonight
You can free the world, you can free my mind
Just as long as my baby's safe from harm tonight
Telling us what is infectious and dangerous
Friends and enemies, they find us contagerous
I was looking back to see
If you were looking back at me
To see me looking back at you
Lucky dippers, crazy chancers
Seems to be moving fast
What happened to the niceties of my childhood days?
Well, I can't do nothing 'bout that, no
But if you hurt what's mine
I'll sure as hell retaliate
I was
I was looking back to see if you were
I was looking I was
I was looking back to see if you were looking back at me
To see me looking back at you
You can free the world, you can free my mind
Just as long as my baby's safe from harm tonight
You can free the world, you can free my mind
Just as long as my baby's safe from harm tonight
Telling us what is infectious and dangerous
Friends and enemies, they find us contagerous
And they spread into your system like a virus
Yes, the trouble is it kind of makes you anxious
I was
I was looking back to see
If you were looking back at me
To see me looking back at you
I was
I was looking back to see
If you were looking back at me
To see me looking back at you
But if you hurt what's mine
I'll sure as hell retaliate
You can free the world, you can free my mind
Just as long as my baby's safe from harm tonight
You can free the world, you can free my mind
Just as long as my baby's safe from harm tonight
"I was looking back to see if you were looking back at me to see me looking back at you."
Say that 10x fast!
Try this - Dr Feelgood - Looking Back
Wasn't the album named Crosswinds?
"Spectrum"
Big huge sample of " Stratus" by Billy Cobham, from the classic album of the same name.
Wasn't the album named Crosswinds?
"I was looking back to see if you were looking back at me to see me looking back at you."
Say that 10x fast!
Sounds like something Dave Mason would say.....
Say that 10x fast!
PS WTF the rap is excellent backing
might be my fav M. A. song. love it.
100% Agree
THE BEST!!!!!
I still prefer the original. Without the rap overdubs and all.. by eons.
And it (the original) is not being played here. WTF?
I Agree! I tried to like this. PLEASE PLAY THE ORIGINAL VERSION!
And it (the original) is not being played here. WTF?
This. Is. A. Bass. Line.
It certainly ~is~ a bass line. This use of it is robbery.
Part of the deal with sampling previous recordings (a totally legitimate component of electronic music creation IMHO) is the payment of royalties to the composer & performer of the original recording and — often — including credits as well. To me that fails the definition of "ripping-off".
Wish that were true. But artist are acclimated to "rip-offs". They are not imposters. They are students. Now sit down and you may not go to the bathroom until the end of class.
Part of the deal with sampling previous recordings (a totally legitimate component of electronic music creation IMHO) is the payment of royalties to the composer & performer of the original recording and — often — including credits as well. To me that fails the definition of "ripping-off".
Yo lo veo como un cover. I see it as a cover nothing else. Espero tambien que las regalías se repartan con justicia. Jeff y Billy son dioses. Y Spectrum su templo
free BILLY COBHAM! Delete the syrupy vocal overdub and cornball dated rap
Dude shut the fuck up already... As many have already commented - BC was totally cool with this. You just make yourself a fool here.
Most Excellent indeed
Part of the deal with sampling previous recordings (a totally legitimate component of electronic music creation IMHO) is the payment of royalties to the composer & performer of the original recording and — often — including credits as well. To me that fails the definition of "ripping-off".
Vanilla Ice Ripped off Queen and Bowie, and they won in court "You didn't ask". It ended up costing him far more than if he'd just asked.
I've seen a song that lists Metalica and Mozart as writers, though I don't think Wolfgang is getting his cut from the proceeds.
Shara Nelson's vocals are amazing...
I was looking back to see if you were looking back at me
To see me looking back at youRidiculous
This is some of the better "lounge crap" available, primarily due to Cobham's rhythm genius. Not bad but would really like to hear Stratus, Cobham or Beck's version which is also awesome.....
First off, it is CLEARLY NOT Billy Cobham's SONG, it is a sample of one line of Cobham's song. This is consequently slowed down, looped, with new synth accents to create a NEW, ORIGINAL song. Cobham didn't have a problem with it, as it not only put money in his pocket, but drove people to discover the original. Don't have to believe me, listen to him: https://www.bbc.co.uk/programmes/p048n9qp
impediguy wrote:
Correction. Billy Cobham's Stratus was an original work "by its literal definition". The voice over and synths do not improve upon Cobham's work because their articulation and rhythms do not even match those of Stratus. So the only thing you can technically or literally say about this "song" is that they "added" an overdub to Cobham's recording. Whether that is an improvement or not is a matter of opinion, and it certainly is not mine. Moreover, Massive Attack's work cannot be original when it is founded upon Stratus. IMHO, it is flightless on it's own.
I was looking back to see if you were looking back at me
To see me looking back at you
Ridiculous
I like it!
Who's fooling who?
When you have some time - check out Jeff Beck - Stratus - live at Ronnie Scott's session.
Oooooohhhh. Tasty.
I was looking back to see if you were looking back at me
To see me looking back at you
Ridiculous
Correction. Billy Cobham's Stratus was an original work "by its literal definition". The voice over and synths do not improve upon Cobham's work because their articulation and rhythms do not even match those of Stratus. So the only thing you can technically or literally say about this "song" is that they "added" an overdub to Cobham's recording. Whether that is an improvement or not is a matter of opinion, and it certainly is not mine. Moreover, Massive Attack's work cannot be original when it is founded upon Stratus. IMHO, it is flightless on it's own.
I know what you mean; I too prefer Cobham's original tune to this one. It was just a matter of semantics.
Cheers.
This song is an "original work" by its literal definition, mainly because it is not "minus the voice" (vocals and lyrics). They technically did "improve" upon it by adding to his recording.
Correction. Billy Cobham's Stratus was an original work "by its literal definition". The voice over and synths do not improve upon Cobham's work because their articulation and rhythms do not even match those of Stratus. So the only thing you can technically or literally say about this "song" is that they "added" an overdub to Cobham's recording. Whether that is an improvement or not is a matter of opinion, and it certainly is not mine. Moreover, Massive Attack's work cannot be original when it is founded upon Stratus. IMHO, it is flightless on it's own.
Sorry people, arguing about how many angels can dance on the head of a pin is not my forte.
You assume that this song was an original work, which it is not.
Minus the voice, it is indistinguishable from Billy Cobham's song Stratus. Massive Attack's proceeds then should have gone solely to Cobham since they did not improve upon Cobham's song: the sole signature and quality of the song is Cobham's composition and performance. IMHO, Massive Attack debased Stratus.
BTW, I am a professional musical composer and performer who was once enrolled in a graduate program in computer music. That being said, I can assure you that there is no originality or artistry in Massive Attack's work.
This song is an "original work" by its literal definition, mainly because it is not "minus the voice" (vocals and lyrics). They technically did "improve" upon it by adding to his recording.
The song Stratus occupies a full side of a vinyl LP. The background of Massive Attacks' vocal tracks is an exact replica of a very small portion of Billy Cobham's original recording, guitar riffs and all (I think it was Abercombe who played them). The vast majority of the 22+/- minute recording has a simple DNA resemblance to the portion that Massive Attack appropriated. Other parts, such as the intro, are a complete departure and bear no resemblance at all to the core motif.
The song is still as excellent as it was then maybe it's you that is getting old?
I assume you mean that it has stood the test of time since 1991 since Billy Cobham wrote Stratus, the basis of Massive Attack's vocal track? The thing about "being old" is that we seniors remember the original work when it was released in the heyday of the true artist.
The song is still as excellent as it was then maybe it's you that is getting old?
What's this song got to do with Massive Attack?
A fire is born.
Tell me for a fortune.
Holds a dangerous?
This is however epic Billy Cobham.
This fusion stuff from the 70s is mostly forgotten. Too bad, it was our urban stoner soundtrack "back in the daze"
Part of the deal with sampling previous recordings (a totally legitimate component of electronic music creation IMHO) is the payment of royalties to the composer & performer of the original recording and — often — including credits as well. To me that fails the definition of "ripping-off".
You assume that this song was an original work, which it is not.
Minus the voice, it is indistinguishable from Billy Cobham's song Stratus. Massive Attack's proceeds then should have gone solely to Cobham since they did not improve upon Cobham's song: the sole signature and quality of the song is Cobham's composition and performance. IMHO, Massive Attack debased Stratus.
BTW, I am a professional musical composer and performer who was once enrolled in a graduate program in computer music. That being said, I can assure you that there is no originality or artistry in Massive Attack's work.
Igor Stravinsky, a light weight.
The name of the tune that Jeff Beck played live at Ronnie Scontt's in 2007 that contained the so called "ripped-off" bass line was Stratus. In other words, Jeff Beck was performing Billy Cobham's song Stratus, which was released in 1973 on the album Spectrum.
However, "The bass, guitar, and drums (on the song Safe From Harm) are sampled from the song "Stratus" by Billy Cobham, from his album Specturm." So Massive Attack unabashedly "ripped-off" all the instrumentals, including solos, from Billy Cobham. In fact, Massive Attacked added so very little to Cobham's Stratus, that it's still his song. Therefore, the credit and good ratings for this song, in my opinion, belong entirely to Billy Cobham.
So Jeff Beck is innocent, acquitted and shall be praised for playing a tribute to Cobham, while Massive Attack shall be sent to the gallows for receiving recognition for and turning a profit on unabashedly ripping-off Cobham on their album Blue Lines, which by the way, was released in 1991.
Part of the deal with sampling previous recordings (a totally legitimate component of electronic music creation IMHO) is the payment of royalties to the composer & performer of the original recording and — often — including credits as well. To me that fails the definition of "ripping-off".
Jeff Beck song bass line ripoff big time. Can't think of the tune but watch the Jeff Beck Live at Ronnie Scott's DVD and you'll hear it. with Tal Wilkenfeld playing the same bass line.
The name of the tune that Jeff Beck played live at Ronnie Scontt's in 2007 that contained the so called "ripped-off" bass line was Stratus. In other words, Jeff Beck was performing Billy Cobham's song Stratus, which was released in 1973 on the album Spectrum.
However, "The bass, guitar, and drums (on the song Safe From Harm) are sampled from the song "Stratus" by Billy Cobham, from his album Specturm." So Massive Attack unabashedly "ripped-off" all the instrumentals, including solos, from Billy Cobham. In fact, Massive Attacked added so very little to Cobham's Stratus, that it's still his song. Therefore, the credit and good ratings for this song, in my opinion, belong entirely to Billy Cobham.
So Jeff Beck is innocent, acquitted and shall be praised for playing a tribute to Cobham, while Massive Attack shall be sent to the gallows for receiving recognition for and turning a profit on unabashedly ripping-off Cobham on their album Blue Lines, which by the way, was released in 1991.
more please 😃
Jeff Beck song bass line ripoff big time. Can't think of the tune but watch the Jeff Beck Live at Ronnie Scott's DVD and you'll hear it. with Tal Wilkenfeld playing the same bass line.
Ripoff ... possibly; I have not watched the concert for a while.
Do note that the concert was in 2007 and the Massive "Blue lines" album was released in 1991.
Jeff Beck song bass line ripoff big time. Can't think of the tune but watch the Jeff Beck Live at Ronnie Scott's DVD and you'll hear it. with Tal Wilkenfeld playing the same bass line.
It's called "sampling". On the album, Billy Cobham is credited as one of the composers of this tune - so there is no "stealing" or "ripping" involved.
it's a good tune...you have issues with change, I think
Cheers
PS. the Dr. Feelgood version of 'Looking Back' is on the 'B'-Side of the 'Baby Jane' Single. One of the few 12" singles i bought back in the night (LOL)
Thats a Dr Feelgood joke by the way :-)
Thanks to RP anyway to play so many nice and great music!
(dragging of images into post editor is not allowed)
Regards from Bristol. By the way, Shara Nelson's solo album was pretty good in its day, too.
It's called "sampling". On the album, Billy Cobham is credited as one of the composers of this tune - so there is no "stealing" or "ripping" involved.
Thank you. A mind is like a parachute. It only works when it's open.
It's called "sampling". On the album, Billy Cobham is credited as one of the composers of this tune - so there is no "stealing" or "ripping" involved.
Than....then was wrong, just saying.
What if your dentist was playing this over his Muzak system DURING said root canal?
<Mind Blown>
Jeff Beck did Stratus on the Live at Ronnie Scott's vid with female bass prodigy Tal Wilkenfeld playing that bass line. Awesome bass line, awesome vid and awesome bassist! (not too mention a complete ripoff on this particular song)
I saw these guys interviewed once, and they were the most pretentious pricks you could possibly imagine. Not surprised that they're stealing their music.
And the "looking back to see if...." is lifted straight from Popa Chubby.
and a little part lifted from an old John Mayall song-Looking back to see if you were looking back, etc
It is.. Billy Cobham from the Spectrum album I believe.. one of the greatest drummers of the 70's and 80's.
yeah the bassline - when the song started i thought it was stratus.
nice reference!
It is.. Billy Cobham from the Spectrum album I believe.. one of the greatest drummers of the 70's and 80's.