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Index » Music » Whatever » Nina Simone...
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Proclivities

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Location: Paris of the Piedmont
Gender: Male


Posted: Sep 17, 2020 - 8:42am

It's Official: Nina Simone's Childhood Home to Be Preserved Indefinitely

sirdroseph

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Location: Not here, I tell you wat
Gender: Male


Posted: Aug 9, 2014 - 6:02am


marko86

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Location: North TX
Gender: Male


Posted: Aug 9, 2014 - 4:53am

One of the few artists I have favored their Live recordings over studio. A version of "Trouble in Mind" is probably my favorite. When you are awed by subtle, sublime singing on the lower registers, one tends to forgets that is her banging on that piano. Tremendous talent.
R_P

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Gender: Male


Posted: Aug 8, 2014 - 7:43pm

A Raised Voice
How Nina Simone turned the movement into music.
 Simone with James Baldwin in the early sixties. Her intelligence and restless force attracted African-American culture’s finest minds.	Credit Courtesy New York Public Library.

“My skin is black,” the first woman’s story begins, “my arms are long.” And, to a slow and steady beat, “my hair is woolly, my back is strong.” Singing in a club in Holland, in 1965, Nina Simone introduced a song she had written about what she called “four Negro women” to a young, homogeneously white, and transfixed crowd. “And one of the women’s hair,” she instructed, brushing her hand lightly across her own woolly Afro, “is like mine.” Every performance of “Four Women” caught on film (as here) or disk is different. Sometimes Simone coolly chants the first three women’s parts—the effect is of resigned weariness—and at other times, as on this particular night, she gives each woman an individual, sharply dramatized voice. All four have names. Aunt Sarah is old, and her strong back has allowed her only “to take the pain inflicted again and again.” Sephronia’s yellow skin and long hair are the result of her rich white father having raped her mother—“Between two worlds I do belong”—and Sweet Thing, a prostitute, has tan skin and a smiling bravado that seduced at least some of the eager Dutch listeners into the mistake of smiling, too. And then Simone hit them with the last and most resolutely up to date of the women, improbably named Peaches. “My skin is brown,” she growled ferociously, “my manner is tough. I’ll kill the first mother I see. ’Cause my life has been rough.” (One has to wonder what the Dutch made of killing that “mother.”) If Simone’s song suggests a history of black women in America, it is also a history of long-suppressed and finally uncontainable anger. (...)


Jimi_the_Saint

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Location: Kan-tu-kee
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Posted: Oct 4, 2007 - 1:45pm

turnergirl1of2

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Location: the one hundred eightieth meridian
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Posted: Oct 4, 2007 - 12:39pm

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Posted: Oct 4, 2007 - 12:35pm

maryte

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Location: Blinding You With Library Science!
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Posted: Oct 4, 2007 - 12:30pm

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Location: Bastrop
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Posted: Oct 4, 2007 - 12:18pm

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Posted: Oct 4, 2007 - 12:13pm

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Posted: Oct 4, 2007 - 12:10pm

maryte

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Posted: Oct 4, 2007 - 12:10pm

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Location: Bastrop
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Posted: Oct 4, 2007 - 12:05pm