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Index » Music » Whatever » Music lessons
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rhahl

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Posted: Apr 10, 2019 - 4:01am

AUDIATION - play what you hear

Adam Neely is really making Patreon work, with more than 1100 supporters.

Hal Galper's Master Class - The Illusion of An Instrument


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Posted: Apr 25, 2018 - 8:19am

BOOTSY'S BASIC FUNK FORMULA


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Posted: Apr 6, 2018 - 7:33am

Ear Training 101 - MASTERING INTERVALS

 
Must see TV if play an instrument.

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Posted: Mar 20, 2018 - 9:22am

YourGuitarSage - These 2 Techniques Cure All Your Chord Transitioning Troubles

This technique is useful beyond playing guitar, and beyond playing music.
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Posted: Mar 4, 2018 - 5:31am

Robben Ford on Finding your Place in the Groove


Robben Ford's Advice For Learning Chords



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Posted: Jul 10, 2017 - 5:01pm

How Can You Tell a Good Drummer from a Bad Drummer?: Ringo Starr as Case Study
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Posted: Jul 1, 2017 - 3:51am

Mark Knopfler is a terrific teacher.

Proclivities

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Location: Paris of the Piedmont
Gender: Male


Posted: Jan 22, 2017 - 6:40am

 rhahl wrote:

Yes, I hear the 5 beats, thank you, but what is the 4 in the denominator telling us? Why not just speak of 5 beat time? And in the MI example, why not just speak of 10 beat (or unit) time?

And one more question if you wouldn't mind: where are the accents on this one, (7/8).?



 
Yeah, that one's harder, especially with that multi-layered percussion - I vaguely remember learning to count that off as 1 - 2 - 1 - 2 - 3 - 1 - 2 or 1 - 2 - 1 - 2 - 1 - 2 - 3 .  Sometimes it's clearer if you have a metronome counting at whatever beats-per-minute rate the song is.  I think the 4 emphasis is often used for explaining 5/4 time because it's noticeable in "Time Out" - as if you were dancing to it, but the MI theme would probably be counted as 1 - 2 - rest - 1 - 2.  Sometimes it's easier to hear with an instrument when you're playing two chords by counting on the single notes of each chord.  A lot of songs I've written are in waltz time, but 3/4 is pretty easy to hear and feel; I've been away from the 'technical' side for so long that I usually get lost in it.
rhahl

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Posted: Jan 21, 2017 - 12:44pm

 Proclivities wrote:
You count it off (1 2 3 5) like that bass player does in the video... I have a harder time counting more peculiar signatures now than I did then, but a lot of things were easier when I was 11 years old.
 
Yes, I hear the 5 beats, thank you, but what is the 4 in the denominator telling us? Why not just speak of 5 beat time? And in the MI example, why not just speak of 10 beat (or unit) time?

And one more question if you wouldn't mind: where are the accents on this one, (7/8).?




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Location: Paris of the Piedmont
Gender: Male


Posted: Jan 21, 2017 - 7:21am

 rhahl wrote:

How to "speak" in odd time signatures (5/8)

First time I ever understood what this is all about.

Dave Brubeck - Take Five  (Yet still not sure I understand it listening to this.) 


You count it off (1 2 3 5) like that bass player does in the video.  Oddly, he uses the Mission Impossible theme as an example instead of "Take Five", which is really the best-known example of that time signature - at least for most musicians.  Tull's "Living In The Past" is another example (really 10/8 like the MI theme, but that still equates to 5/4), and it could be easier to count the time.  I think I learned that time signature as counting 1 2 3 - 1 2 when I was a kid.  I played cello then, and a lot of the music I had to play was in waltz time - 3/4 or 6/8, so playing three beats was very common, and I guess counting five beats that way was an easier way to learn it.  I have a harder time counting more peculiar signatures now than I did then, but a lot of things were easier when I was 11 years old.
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Posted: Jan 20, 2017 - 5:38pm

How to "speak" in odd time signatures (5/8)

First time I ever understood what this is all about.

Dave Brubeck - Take Five  (Yet still not sure I understand it listening to this.)




ScottFromWyoming

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Location: Powell
Gender: Male


Posted: Jun 12, 2016 - 7:47am

 
 
The full song, for reference
 
 
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Posted: Jun 12, 2016 - 7:23am

Rob Harris - Chitarra Funk: "Sedicesimi & Muting"


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Posted: Jun 11, 2016 - 6:46pm

 olivertwist wrote:

Sorry, you hit a soft spot. I can't stand John Mayer, who is not played on RP... fortunately.

 
The problem for me is that he sings too much. The same goes for Trombone Shorty. I wish these hot instrumentalists would hire great singers instead of trying to save money on personnel.


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Location: Atlanta GA
Gender: Male


Posted: Jun 11, 2016 - 6:40pm

 rhahl wrote:

Just a fan. I also like to see how creative work really comes about.

 
Sorry, you hit a soft spot. I can't stand John Mayer, who is not played on RP... fortunately.
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Posted: Jun 11, 2016 - 6:36pm

 olivertwist wrote:

Are you John Mayer's PR rep or something? Not a fan.

 
Just a fan. I also like to see how creative work really comes about.  If I were his PR rep I would be plugging Dead and Company, which might turn into something but right now is just boring me.


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Location: Atlanta GA
Gender: Male


Posted: Jun 11, 2016 - 6:29pm

 rhahl wrote:

John Mayer - Crossroads Guitar Lesson



 
Are you John Mayer's PR rep or something? Not a fan.
rhahl

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Posted: Jun 11, 2016 - 6:10pm

John Mayer - Crossroads Guitar Lesson


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Posted: Jun 11, 2016 - 6:09pm

John Mayer - Crossroads


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Posted: Jun 5, 2016 - 5:21pm

Funk Rhythm Guitar Concepts by Oz Noy